We spent a lot of time in rehearsal moving them from place to place to find clean areas for them to drop from an already crowded stage. From the opening to the end, the show was heavy in Kabuki/Solenoid, which Halpin admits are “always tricky. The tree was created by an old Hollywood scene shop, complete with a painted canvas that deployed from Chabuki Solenoids. A forest seemed to grow in the blink of an eye, complete with a huge tree. For the encore, it was “So What,” where she again flew remarkably close to many in this old hockey arena. There was a particularly compelling moment during the “Just Give Me a Reason” song where Pink flew over the crowd on a giant canopy bed while some of her 10 dancers, also suspended, twirled in the background. Durell during this early phase so we built all of the concepts and design elements in conjunction with the choreography and aerial choreography.” “I worked closely with longtime collaborators and choreographers Nick Florez and R. Some of the highlights of the show included a beautifully dark forest scene, a fun but deadly “revenge land scene” and a barren desert scene for the song “What About Us.” And there’s a lot of dance and a lot of flying, often at the same time. The show opened with the drop of a giant pink curtain, revealing an ornate all-pink grand hotel lobby, with Pink hanging from an ornate but slightly twisted chandelier. While we are doing this, we start to get sparks of ideas which slowly coalesce into concepts.” We break them down into acts that flow well together. “I put all the songs on cards and start to arrange them in different orders. “As with every tour I’ve created with Alecia, we start with a set list,” Halpin explains. “He has a great team around him, all great minds.”Ī curved portal gives the video screen its unique shape. “We have worked with Pink’s production manager Malcolm Weldon for years, going back to when he was with Cher during her early residency at the Colosseum.” It’s also their first time working with Halpin. “It’s a great opportunity for us,” says vice president of touring Dean Roney. Solotech handled the formable video and lighting needs, working with Pink for the first time. Tait built the sets and handled the flying, with Pyrotek Special Effects taking care of the flair, which included flames, gerbs and confetti. With Halpin at the helm wearing multiple hats (lighting designer, set designer, director), you can bet there was plenty of lighting, pyro and imaginative staging happening as well. “This beauty/trauma theme is expressed throughout the show. “For the Beautiful Trauma tour, it was important that the treatment of every song in the show had a beauty and a trauma to it,” Baz Halpin says. There was an epic three-story puppet that seem poised to bust out of the arena. The flying and acrobatics were comparable to a Cirque du Soleil experience. The dancing was choreographed better than most Broadway shows. The sets were operatic on a Wagnerian level. Pink ‘Beautiful Trauma’ tour photo by Steve Jenningsĭesigner Baz Halpin and Team Create a Stunning Visual Show All the massive sing along songs are covered from ‘Just Like A Pill’ and ‘So What’ through to the most recent hits such as ‘What About Us?’ and ‘Beautiful Trauma’.Special effects help tell the story of the show. Stacy has teamed up with the successful Vertigo Band to bring all the energy and fun of P!nk’s biggest hits. This amazing act can be seen with a phenomenal band to create the excitement and majesty that makes P!nk the modern legend and inspiration she has come to be known as. International, award winning P!nk impersonator Stacy Green has been crowned the UK’s Best Multi Tribute Act, performing at venues across the UK and further for the past 11 years. Beautiful Trauma- The Ultimate Live P!nk Experienceīeautiful Trauma- The Ultimate Live P!nk Experience Featuring Stacy Green as P!nk!
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